Career
Film scoring and soundtracks
In 1992, Rahman began his own music recording and mixing studio attached to the backyard of his house called the Panchathan Record Inn, which was developed into India's most advanced recording studio.He initially composed music jingles for advertisements, Indian Television channels and music scores in documentaries, among other projects. In 1992, he was approached by film director Mani Ratnam to compose the score and soundtrack for Ratnam's Tamil film Roja. The debut led Rahman to receive the Rajat Kamal award for Best Music Director at the National Film Awards, the first time ever by a first-time film composer. Rahman has since then gone on to win the award three more times (for his scores for Minsaara Kanavu (Electric Dreams, Tamil) in 1997, Lagaan (Tax, Hindi) in 2002, Kannathil Muthamittal (A Peck on the Cheek, Tamil) in 2003, the most ever by any composer.
Roja's score met with high sales and acclaim, in its original and dubbed versions, bringing about a marked change in film music at the time, and Rahman followed this with successful scores for Tamil–language films of the Chennai film industry including Ratnam's politically charged Bombay, the urbanite Kadhalan, Bharathiraaja's Karuththamma, the saxophonic Duet, Indira, and the romantic comedies Mr. Romeo and Love Birds, which gained him considerable notice. His fanbase in Japan increased with Muthu 's success there.His soundtracks gained him recognition in the Tamil Nadu film industry and across the world for his stylistic versatality in his pieces including in Western classical, Carnatic, Tamil traditional/folk, jazz, reggae and rock music.The Bombay Theme—from Ratnam's Bombay—would later reappear in Deepa Mehta's Fire and various compilations and media. Rangeela, directed by Ram Gopal Varma, marked Rahman's debut for Hindi-language films made in the Mumbai film industry. Many successful scores for films including Dil Se and the percussive Taal followed.Sufi mysticism would form the basis of Chaiyya Chaiyya from the former and the composition "Zikr" from his score of the film Netaji Subhas Chandra Bose: The Forgotten Hero for which he created large orchestral and choral arrangements.Musical cues in scores for Sangamam and Iruvar employed Carnatic vocals and instruments such as the veena with leads of rock guitar and jazz. In the 2000s Rahman created hit scores for Rajiv Menon's Kandukondain Kandukondain, Alaipayuthey, Ashutosh Gowariker's Swades and Rang De Basanti.He composed songs with Hindustani motifs for Water (2005).
Rahman has worked with Indian poets and lyricists such as Javed Akhtar, Gulzar, Mehboob, Vairamuthu and Vaali. His collaborations with some film directors have always resulted in successful soundtracks, particularly with the director Mani Ratnam who he has worked with since Roja, all of which have been hits, and the director S. Shankar in the films Gentleman, Kadhalan, Indian, Jeans, Mudhalvan, Nayak, Boys and Sivaji.
Rahman attached and opened a developed extension studio to his Panchathan Record Inn in 2005 called AM Studios in Kodambakkam, Chennai — considered to be the most developed, equipped and high tech studio in Asia. In 2006, Rahman launched his own music label, KM Music.Its first release was his score to the film Sillunu Oru Kaadhal. Rahman scored the Mandarin language picture Warriors of Heaven and Earth in 2003 after researching and utilizing Chinese and Japanese classical music, and co-scored the Shekhar Kapoor helmed Elizabeth: The Golden Age in 2007. His compositions have been reused in scores within India and have made appearances in Inside Man, Lord of War, Divine Intervention and The Accidental Husband. In 2008, he scored the Slumdog Millionaire soundtrack, for which he won a Golden Globe and two Academy Awards, becoming the first Indian citizen to do so.
